Feast your eyes on the incomparable Natalie Portman as she stars in the new ad campaign for Miss Dior Cherie, shot by English photographer, the wonderful and whimsical Tim Walker. I had the privilege of working with Tim Walker a number of times in London as I assisted his main makeup artist Sam Bryant for shows and big campaigns. The most memorable occasion was shooting in a field of roses with a giant skeleton hanging from a crane for US Harper’s Bazaar! Oh who am I kidding – it’s always memorable shooting with Tim Walker. This ad campaign is gorgeous, and Natalie looks luminous as always. Music by Serge Gainsbourg and Jane Birkin – how can you go wrong?
London mega-manicurist Sophy Robson has been at it again, this time nailing (excuse the pun) the provocative new Tom Ford Eyewear campaign (see image above). If that doesn’t make you look, I don’t know what does!
The campaign was actually shot by Mr Tom Ford himself who has added photographer to his already pretty impressive CV, and the model is the ever gorgeous Dane, Freja Beha.
The deep blackened purple on Freja’s nails is Sophy’s Polish Pick of the Month, and it is a new colour for autumn, Dior’s Black Plum. Set to be huge again this autumn/winter are variations on black, so Dior’s new nail polish is typically of the moment.
Sophy has another nail tutorial as well – this time a Chanel nail tutorial, which I’ve included below.
She’s been a very busy bee the last month, shooting campaigns for Jil Sander, Tom Ford Perfume, Loewe, Armani and Givenchy, and editorial that includes a cover of Marion Cotillard for Paris Vogue and M.I.A for Interview magazine as well as her usual slew of editorials in British and Japanese Vogue and Love magazine. Phew!
This is officially my favourite eyeshadow set at the moment, and it’s been in my kit so long that it’s the old enamel blue and black stripes (and that’s old! I think I bought it pre-2000) and it’s still getting cracked out on a regular basis.
Why so good? Well it has the perfect nutmeg brown for starters, which has a slight bit of shimmer but only a touch (the other four shadows are matte). It has a cream, which I never use but hey at least it’s there if I ever need to do – well, a cream color, a gorgeous matte peach which has just the right amount of blue to it, not too coppery, an almost wine color which is lovely on blue and green eyes mixed with the brown, and my other fave, a mustard-y camel color which is just the wrong shade of tan to be oh so right.
They’re gorgeous mixed together or used separately but they are a kit staple, so for me it’s BAG IT!