This was the most heavenly of shoots, as the weather was one of those perfect high summer days where the light is divine and we were shooting in such a beautiful location. We spent the day in a gorgeous little seaside house, on the Isle of Sheppey. A tiny cabin full of sun-bleached wood with a view of nothing but sky and sea, it was a little bit like being marooned on the world’s most beautiful island.
The incredibly talented Chloe Mallett was shooting it, and my favourite model of the moment, Florence Kosky was our languid beauty for the day. Flo is not only insanely gorgeous, she’s absolutely lovely as well so it made it a very easy day.
I gave Flo a full body St Tropez tan as soon as we all arrived (luckily I’d worked with her a few weeks before, as it’s always a bit funny getting straight into a full body fake tan with someone you’ve just met!)
For makeup it was all about dreamy caramel tones with subtle highlights. I made sure I protected her beautiful English rose skin with plenty of sunscreen, and my favourite sunscreen du jour is La Roche-Posay’s Anthelios as it’s very light, non-greasy and has super high SPF.
I used NARS G-Spot blush for that rosy glow on her cheeks as well as Laura Mercier Bronzing Gel to amp up her tan. On her eyes I used a mix of brown shadows including NARS Bengali and the Dior Incognito palette, a touch of Bobbi Brown Gel eyeliner and Clinique High Impact mascara. Her lips needed nothing but a touch of Homeoplasmine lip balm and Stila Convertible Colour in Gerbera.
Stylist Lorna McGee had outdone herself on clothes with beautiful jumpers and elegant lingerie, as well as the perfect trans-seasonal pieces and accessories. Ben Cooke did gorgeous undone beachy waves on Flo’s hair and and by the end of the day it felt far more like we’d all been hanging out having fun than working!
I’m slightly obsessed with the new liquid lipsticks by Topshop at the moment. My lips bag was feeling quite boring a couple of months ago – even my editorial colours just weren’t making me feel excited. All my old classic brights were in there (MAC, Illamasqua, NARS, you know who you are), but I just wasn’t feeling inspired. Let’s face it, your editorial lips bag should make your heart sing. Also I have a slew of new beauty shoots coming up and we all know you need fresh inspiration for those.
So I went shopping and I found some great new colours. Surprisingly although I love me some violet, black or even blue lipstick on occasion, my favourite was Rascal by Topshop which is a classic bright red. Liquid lipsticks are ace, there’s no other way too describe them. I’ve also loved the MAC Retro Matte ones since they came out, and I just find for that super high pigment and quick application of colour you can’t go past them. Also sometimes on a job you need to do a perfect lipstick application in no time flat, so there’s no chance to fiddle around with liners and lipstick bullets. Liquid lipsticks are your new best friend in those circumstances!
Also Topshop Beauty really get the trend colours of the season. They always have new colours that aren’t the norm and you didn’t know that you needed them in your life (or in your makeup bag) until they come out. So if you’re a lipstick fan or a makeup artist needing something new, and brightly lacquered and hell, like Jerry Hall would have pulled out if she was shooting with Guy Bourdin, get some Topshop Rascal in your life.
Over summer I had the pleasure of working with Arizona Muse who I would call a supermodel – not just due to her amazing career (which has spanned everything from Paris Vogue covers to being a face of Estee Lauder), but she’s one of the nicest models I’ve ever worked with, and that skin! Her skin alone warrants the supermodel tag.
We were shooting a story about Arizona for the Brazilian magazine, O Globo. Lorna McGee was styling, Ernesto Monteveno was on hair and lovely Brazilian photographer Ricardo Abraho was shooting. Since the weather was heaven that day it was all about shooting Arizona around the streets of West London (which on a sunny day has a charm all its own that can’t be denied).
Since she’s so gorgeous she needed hardly any enhancement, just a bit of eyeliner and mascara for definition, and a touch of cream blush for those famous cheekbones.
This is my favourite moisturizer du jour. It’s the perfect weight for trans-seasonal times like this, and it has a heavenly scent – hard to describe but it’s like a cross between citrus and sunshine, in a jar. That means it’s like a little slice of holidays in your kit, and makes both you and clients feel (briefly) like you’re on a tropical island, instead of a windowless studio in London.
It contains shea butter and feels hydrating but is oil-free, so the skin feels plump and juicy and ready for makeup application, but never greasy. I love this all over as a hydrating base or it’s also nice as a sheen on cheekbones. I’ve even been known to use it on lids for a soft non-shimmery highlight which is beautiful when photographed.
I do love the Bobbi Brown range. I find it such a simple, no-nonsense incredibly comprehensive brand that works both for makeup artists and also for real life. I’m always recommending the Bobbi Brown foundation and concealers to clients as the range is very inclusive for all skin tones (from Icelandic models to Somalian beauties), and the staff are also very well trained. So you won’t find yourself walking in for a concealer and coming out with a 12 step contouring kit that looks like a blueprint of the Hadron Collider that you’d need a degree in engineering to figure it out. Just the right makeup for you, and your skin tone. Bobbi has always stuck to her guns and produced consistently flattering makeup that just works, and she’s always in my kit.
This is how this moisturiser makes you feel – like you’re on holiday! Daria Werbowy giving some island vibes in US Vogue, 2004. Shot by Patrick Demarchelier, makeup by Gucci Westman.
Now that summer is drawing to a close (and I spent an indecently decadent summer holiday lounging pool-side in the South of France), it’s time to start thinking about la rentrée (which is what the French call the return to school and work in September).
I’m thinking of clothes for the cooler months and also makeup looks that can work from Fall to winter and into the Christmas season which will be on us before you know it. So this season Burberry’s makeup look went off-piste – over to the glitter side, to be exact. With glam-rock influences, Burberry Beauty Creative Consultant (and mega makeup artist) Wendy Rowe added some sparkle and shine to a traditional smoky eye.
Long time MM readers will know that I love Burberry makeup, AND I love glitter so this particular new iteration of the Burberry Beauty brand was always going to be right up my alley.